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Let's start with Ibanez Guitar Effects, and
one of the most famous, The Tube Screamer. We
start with this and go so in depth because the
Ibanez Tube Screamer is such a legend among
guitarists, and it just sounds so damn good.
An Ibanez Tube Screamer is an overdrive/distortion
pedal that is mild compared to many, but allows
the true sound of the guitar and player's technique
to come through. The most popular use of a tube
screamer is to push a tube amp to make it overdrive
more, but they sound good through almost anything.
The first Tube Screamer was the green TS-808
overdrive pro in the late '70s. It was preceded
by the Orange "Overdrive" and green "Overdrive-II"
which came in narrower boxes without the battery
cover, and the reddish "Overdrive-II" which
had a box very similar to the TS-808. The lighter
green OD-855 Overdrive-II is also in the TS-808
style box and has a circuit which is similar
to the 808 - the board part numbers only differ
by one digit. The overdrive and OD-II had a
different, much more distorted, fuzzy circuit.
The TS-808 and its generation have small square
chrome on/off touch-buttons. Almost all TS-808's
sound great. There were some TS-808s made in
the 1979 period, mostly for other than USA markets,
that came in a narrower box. These have a bottom
plate that unscrews to change the battery like
an MXR pedal, no plastic battery cover. This
narrow TS-808 had a different circuit with more
distortion. It uses two 1458 chips which are
the 1st version of the low-tech dual op-amp.
Also the LEVEL knob on these is labeled BALANCE
and the external 9V power jack is next to the
input jack. It used the same case as the earlier
OVERDRIVE and OVERDRIVE-II pedals which used
stomp switches. Ibanez probably had many left
over and remade them as "TS-808" pedals to sell
off the remaining cases.
Early TS-808's have the Ibanez (R) "trademark"
logo which some people seek. There is really
no difference, although some that sound awesome
have a Malaysian Texas Instruments RC4558P chip
instead of the normal Japanese JRC4558 chip.
SRV used the TS-808 for his trademark juicy
strat tone. When he used smaller Fender amps
that had natural overdrive, he used the TS set
clean (low drive setting) with the level up
high to push the amp for more distortion (see
my CLEAN BOOST info below). When he played through
big clean amps he turned the drive up more,
about 1/2 way, with tone on about 3 and level
about 7 to get the distortion from the TS.
The TS-808 is a smoother, richer sound with
less harshness in the high end. It is more transparent
and allows more of the guitar's true tone and
your playing to come through. The tonal spectrum
is wider and more natural. It is a subtle difference
but it's enough that TS-808s are going for $450
Around 1982 the Ibanez pedals were repackaged
and the 9-series of effects came out. The most
popular is the TS-9 tube screamer, which is
almost the same as the TS-808 internally. Externally
the on/off switch grew to fill about 1/3 of
the effect. The main change in the TS-9 circuit
is in the output section. This caused the tube
screamer to be a bit brighter and less "smooth".
The Edge from U2 uses a TS9 for most of his
overdrive tones, as do countless other famous
rock and blues players. In later years the TS-9s
were put together with seemingly random op-amp
chips, instead of the JRC-4558 which is called
for in the schematics. Some of these sound BAD,
especially the JRC 2043DD chips. If you have
an original TS9 with the 2043 chip the mod from
AnalogMan.com
(Who we give credit for the information of the
tube screamer on this website) will make a huge
difference in tone.
A few years ago, Ibanez started to make the
TS-9 again due to popular demand. This "reissue"
is basically identical to the last "original"
TS-9s in sound, circuitry, and appearance. The
IC chip they use in the reissue is the same
as some later original TS-9s, the Toshiba TA75558.
They are a higher tech chip that will work good
in higher tech equipment (where you want a low
noise op amp) but are not the best for a tube
screamer.
In about June of '96 the reissue TS-9 was changed
slightly, and finally can be told from an "original"
TS-9 easily. There is a "CE" symbol on the back,
which is required for selling electronics in
Europe. Also a capacitor was added to the back
of the board (the only component ever used on
the back of a tube screamer board). This is
to help with the switching circuit and should
not affect the sound. The extra capacitor is
no longer used, now they changed the value of
C113 from 102 to 103 (10,000pF). C113 is between
the wires labeled 3 and 4 on the back of the
board. If you have a 102 you can change it to
103 to improve switching (the one thing about
TS-9s that sucks!). I think the new TS-9 sounds
the same as the earlier reissues and last originals.
If you want a great deal on a TS-9 Reissue then
please visit MusicPower.com
which sells for around $98. If you are a "Vintage"
person that wants the sound of a TS-808 but
can't afford the cash then we suggest getting
a Re-Issue TS-9 From MusicPower.com
and getting the mod from AnalogMan.com.
Ibanez made many other pedals during the 70's
and 80's including EQ's Analog Delay's, Phasers,
and more. Currently, Ibanez is making the "Tone-Lok"
series guitar effects which are pretty impressive.
With the set and forget push-lok rotary pots
you can set your tone and never lose them again.
On the inside these pedals feature hi-fidelity
components that are tweaked from today's modern
minds and players. Check out some of the pedals
below or visit MusicPower.com
for the latest.

Ibanez Guitars:
Ok, let's get to what this web site is all about,
Ibanez Guitars. Ibanez Guitars have also been
famous and living legends for years. Among the
most famous endorsers is Steve Vai, the 7 string
model, and many others. Joe Satriani is also
a famous Ibanez lover. Among the models are
the Jem Series, The Joe Satriani JS Series,
The sleek S470, The affordable GS series, The
Cool RG Series, of course The UV777 Series 7
string, and sooo many more.
Let's see what people are saying about the UV777:
"Full, rich tone with lots of harmonics
- if you like Vai, Satch, Petrucci, etc - you
can approxomate or duplicate their tone depending
on equipment. I'm more a product of 60's/70's
rock (more blues based) but play a combo of
modern rock/"classic" rock - and wanted more
whammy control and metal tone than can get with
my PRS. Very surprised by the versatility -
can cop a wide variety of tones. I ended up
using it more than I planned (about 50/50 with
the PRS). Hard to dial in on my MarkIII boogie
- came across a little thin and brittle (especially
if playing live and alternating with the PRS
and not changing amp settings), but my new rig
has much more flexibility: multiple preamps
(markIII preamp section/Bradshaw CAE SE3+/Bogner
Fish) thru CAE Line Mixer to effects: Digitech
Whammy,Morley Bad Horsie,CAE Black Cat vibe,CAE
tremolo,TC 2290,Eventide 3000D-SX controlled
by Rocktron/Bradshaw RSB-18 to Mesa 2:90 driving
2 boogie Thiele cabs with EV's (wet) with dry
feed into power section of Mark III and internal
EV. Can nail Vai's tone with the Bogner - but
can't match the technique (damn small hands).
Can be a little noisy with the high gain channels
(especially if the digitech loop is in - weakest
link in a chain) but the Hush in the switcher
keeps it manageable. Still prefer the PRS for
the really bluesy stuff (fuller mids which is
how I like my blues) - strat style afficiando's
might prefer the UV. Despite having the right
gear to cop Vai's tone - can still dial in my
own sound - a big plus (It's cool to emulate
but better to originate!!)"
Guitarists are so emotional. (LOL). The only
thing to do when it comes to Ibanez Guitars
is try one on for size and see why people are
saying the things they are. When all is said
and done, and you pick up an Ibanez whether
it's a low end model or the highest of quality,
Ibanez-Guitar.com knows you will be able to
hear why so many guitarists out there are choosing
Ibanez, and this is why we created this web
site because "We Love These Darn Guitars."
But wait, what about Bass Guitars, and Acoustic
Guitars?
Ibanez makes a ton of awesome sounding bass
guitars and many, although low priced, are still
quality instruments for the Pro.
The BTB Series provides an extra long
35' neck, 18 volt circuitry, and a tight tension
providing deep lows and ringing highs.
The EDA Series basses are certainly the
future of bass, (as told by Ibanez), we certainly
agree, you need to check these basses out if
you are a serious player.
Ibanez Bass Guitars are flat out some
quality instruments and you really need to check
out all their models to make a choice. There
are so many quality models available with so
many great features we had a tough time choosing,
WE WANTED THEM ALL.
Models Include: EDB, EDC, SR4, GSR, SR5, SR6,
SRX, and more. There is virtually a bass for
everyone, and every playing style, which is
very cool. Check out MusicPower.com
for great deals.
From Jam Paks to quality instruments Ibanez
has an acoustic for everyone.
Models Include: AW, PF, GA, Talman, Masa, AE,
and more.
Ibanez Amplifiers:
Ibanez amplifiers are innovative to say the
least. At Ibanez they are always thinking "Modern"
when it comes to design and features.
Amplifier Models: Toneblaster, Soundwave, and
Troubadour.
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